Eurovision final: Sex, violins and seven other things to look out for
Eurovision Final: Sex, Violins, and Seven Other Things to Look Out For
Eurovision final – The 70th Eurovision Song Contest culminates in Vienna this Saturday, with Finland, Greece, and Australia emerging as strong contenders for the coveted title. The city, known for its classical music heritage, has become an unexpected stage for some contestants to blend opera with pop, a trend that’s sparked both intrigue and debate among fans. While others focus on high-energy choreography and sultry performances, the event also promises a record-breaking moment in musical history—a sustained note that could redefine the contest’s sound.
Greek Dreamer
Among the hopefuls is Akylas, a 27-year-old artist whose journey from Athens to Eurovision is nothing short of extraordinary. Eight months ago, he was working as a waiter, surviving on minimal income and facing criticism for pursuing music. “People told me I was wasting my time,” he recalls in a
“I was busking in the streets, trying to pay rent and bills. It felt like a losing battle, but now I’m here, representing my country.” His entry, Ferto, merges rave synths with traditional Greek instruments like the lyra, creating a vibrant fusion that critics have hailed as a bold experiment. The song’s lyrics reflect on childhood memories during the country’s financial turmoil, highlighting the sacrifices made by parents for their children’s future.
Australian Ascent
Australia’s return to Eurovision has been a saga of persistence and passion. Since Abba’s historic win in 1974, the nation has shown unwavering support for the contest, culminating in its 60th-anniversary participation as a wildcard entry in 2015. The opportunity was seized with enthusiasm, leading to a regular presence in the competition ever since. However, a semi-final exit last year only fueled their determination to reclaim glory in 2026. This time, they’ve chosen Delta Goodrem, a platinum-selling pop icon, to deliver a polished power ballad titled *Eclipse*. The track features a chorus that rivals Celine Dion’s style, a baroque piano interlude, and a dramatic key shift in its climax, leaving audiences in awe.
Delta’s performance has already captured the imagination of fans, with bookmakers adjusting her odds to reflect her status as a frontrunner. The anticipation is palpable, especially for what happens if she triumphs. BBC presenter Graham Norton hinted at an intriguing possibility during a recent podcast interview. “Joel Creasey mentioned that Australia makes a pact every year, ensuring someone will host the contest for them if they win,” Norton revealed. The European Broadcasting Union (EBU), Eurovision’s organizers, remained cautious. “Our attention is on the Grand Final, featuring 25 acts from Europe and Australia,” they stated. “Hosting discussions for next year will begin after the winner is announced on 16 May.”
Finnish Fire
Finland’s entry, *Liekinheitin*, has become the favorite to clinch victory. The song is a tempestuous love ballad performed by Pete Parkkonen and classical violinist Linda Lampenius, a pairing that’s likened to Harry Styles collaborating with Nicola Benedetti. “Pete’s, like, the sexiest man in Finland,” Linda jokes, adding that he carries a collection of industry labels. The real spectacle, however, lies in Linda’s performance, where she sprints the full length of the catwalk in high heels while holding her prized 1781 Gagliano violin, valued at around £500,000. “I’m running and jumping on a chair, standing near a fire,” she admits. “It’s nerve-wracking for those three minutes.”
Despite the dramatic flair, Linda and Pete are thrilled to return to the competition after two years. Their song, *Viva, Moldova!*, is a celebration of national pride, crafted to mark the 35th anniversary of Moldova’s independence. The track weaves together elements of Moldovan culture, honoring figures like musician Eugene Doga, author Maria Mirabela, and poet Grigore Vieru, who holds a special place in the artist’s heart. “Grigore’s poetry is still one of my favorites,” says Satoshi, the singer, whose routine before the performance includes simulated rope jumping to boost energy. “I’ve practiced it so much that one of the crew members even bought me a rope and gave it to me.”
Unexpected Alliances
While the focus is often on the music, the Eurovision stage also becomes a playground for theatricality and spectacle. In Vienna, expect to see contestants wielding violins as both instruments and props, and others embracing hyperactive dance styles that challenge gravity. The event’s ability to merge high art with pop culture is a hallmark of its appeal, drawing comparisons to film blockbusters in its scale and impact. Even the logistics of the contest add drama, with the EBU’s behind-the-scenes decisions shaping the future of the competition.
A Silent Symphony
One of the most anticipated moments in the final is the use of the violin in *Liekinheitin*. Linda Lampenius, a classically trained musician, brings a level of artistry that elevates the song beyond its pop foundations. Her instrument, a 1781 Gagliano, is not just a piece of equipment but a symbol of cultural legacy. “It’s like carrying a piece of history,” she says, emphasizing the weight of responsibility that comes with performing it. The violin’s presence in the performance is both literal and metaphorical, representing the blend of tradition and modernity that defines Eurovision’s evolving identity.
Meanwhile, the production team has been working tirelessly to ensure the event meets its high standards. The decision to invite Finland, Greece, and Australia back after previous near-misses underscores the contest’s role as a platform for underdogs and comeback stories. Each nation’s entry carries a unique narrative, from Akylas’ personal struggle to Delta’s polished return. The juxtaposition of these stories—some rooted in hardship, others in triumph—adds depth to the contest’s appeal, making it more than just a musical competition.
Behind the Scenes
As the final approaches, the backstage buzz reflects the high stakes of the event. For Linda, the performance is a test of both skill and endurance, while for Satoshi, it’s a blend of discipline and creativity. The EBU’s decision to keep hosting discussions for next year contingent on the 2026 winner highlights the contest’s ability to balance tradition with innovation. With 25 acts from across Europe and Australia, the final promises a mosaic of styles and stories, each vying for the spotlight. Whether it’s the operatic flourishes, the dance routines, or the emotional depth of the lyrics, Eurovision continues to captivate audiences with its eclectic charm.
From the moment the first notes are played in Vienna, the event becomes a global spectacle. The interplay of music, culture, and personal ambition creates a unique atmosphere, one that has drawn millions of viewers over decades. As the countdown to the final begins, the stage is set for a celebration of artistry, resilience, and the unifying power of music. With names like Akylas, Delta Goodrem, and Linda Lampenius, the contest is poised to deliver its most memorable chapter yet.