Euphoria is back with more shock and scandal, but mixed reviews
Euphoria Returns with New Controversies, Yet Faces Mixed Critical Reception
The long-awaited third season of the acclaimed US series *Euphoria* has finally premiered, bringing back its core cast including Zendaya, Sydney Sweeney, and Jacob Elordi. However, the show’s return has sparked a range of reactions, with some critics expressing disappointment over its lack of narrative momentum compared to earlier seasons.
Controversial Trailers and Character Evolution
One of the most talked-about elements of the season’s rollout is a teaser showcasing Sweeney’s character, Cassie, in a provocative scene. The footage features her dressed as a baby, posed suggestively, and filmed in a manner that blurs the line between innocence and sexualization. This has reignited debates about the show’s portrayal of modern America, particularly its focus on sex work and the commercialization of intimacy.
“This isn’t character development, this is fetish content. Disgusting,”
commented a social media user, while another added: “This is just disturbing.”
Cassie, now a content creator on OnlyFans, is central to the season’s opening episode, where she convinces her fiancé Nate to let her post videos online to fund their wedding. Critics have noted the shift in the characters’ arcs, with some arguing that the show’s focus on extremes has become less nuanced. The Guardian’s Hannah J Davies described the season as “a grubby, humourless work of torture porn,” emphasizing its obsession with and judgment of sex work.
Breaking Bad Meets Looney Tunes?
As the series delves deeper into its characters’ tumultuous lives, the tone has drawn comparisons to both high-octane crime dramas and surreal comedy. The New York Post’s Lauren Sarner labeled the season “an unhinged disaster,” calling it a “roller coaster of insanity” that leans heavily into absurdity. While she praised the Gen-Z stars for their bold performances, she questioned whether the show’s disjointed storytelling undermines its ambition.
“Whether that’s good or bad depends on if you want to see the biggest Gen-Z superstars – Zendaya, Jacob Elordi and Sweeney – in ludicrous situations that feel like Breaking Bad meets Looney Tunes,”
Sarner said, adding that the season “delivers that in spades” but sacrifices coherence for spectacle.
The Telegraph’s Eleanor Halls echoed similar sentiments, calling the season “misogynistic fantasies of a creepy old man.” She critiqued how the show objectifies its female leads, with the camera lingering on their bodies and reducing their stories to visual spectacle. Halls noted that while Rue, Zendaya’s character, remains a compelling figure, Cassie has become a caricature, raising questions about the show’s evolving themes.
Award-Winning Performances Amidst Criticism
Despite the mixed reception, the show’s actors continue to shine. Davies acknowledged both Zendaya and Sweeney for their strong performances, though she questioned the creator’s reliance on extreme scenarios to highlight societal issues. “But did he have to make his characters’ lives so horrifically bleak in order to do so?” she wondered.
Meanwhile, BBC Culture’s Caryn James noted a loss of the show’s earlier cultural relevance, describing it as “a series with very little to say.” Variety’s Alison Herman added that *Euphoria* remains “never not entertaining” but has grown “disjointed fan fiction,” with its stories lacking a cohesive thread.
As the season unfolds, the characters’ transformation from high schoolers in 2019 to young adults grappling with addiction, relationships, and self-image will be central. Yet, the blend of shock value and moral ambiguity continues to divide audiences, with some finding it provocative and others calling it shallow. Whether the show’s third season succeeds in capturing its former essence remains to be seen.