Controversy Erupts Over Classical Music Used to Deter Troublemakers in Liverpool

Liverpool, celebrated for its musical legacy, is witnessing a shift as classical music is employed in public spaces to address anti-social behavior. Authorities in the city have installed speakers on lampposts in Whitechapel to play orchestral compositions loudly, aiming to disrupt gatherings of youths. The BBC uncovered that Merseyside Police and Liverpool City Council collaborated on this initiative, which they claim is “an effective tool” to prevent disorder and improve safety.

Classical Music as a Tool of Control

While the city is known for its vibrant music scene, the tactic has sparked backlash among local musicians. They argue that classical music is being “weaponised” to target young people, perpetuating elitist perceptions. Laura Macmillan, a violinist from a working-class background, expressed frustration:

“It makes me feel really angry as a classical musician who, as someone from a working class background, was made to feel that I wasn’t good enough to play that kind of music.” “There’s always been this stereotype that classical music is for people who have lots of money and is too complicated for some people, and to weaponise it like this is appalling.”

Macmillan suggested that alternative music, such as K-Pop, might be more effective:

“If you wanted to get rid of groups of young people, play something from K-Pop Demon Hunters, because no-one over the age of about seven wants to hear that song Golden anymore.”

Businesses Concerned About Repetition

Local traders and shop owners have voiced unease over the continuous playback of the same few tracks. Ian Silverberg, who manages Silverberg Opticians, said:

“I thought it was for big events like the Grand National, to impress upon people visiting that we are a city of music. To find out otherwise is a bit disappointing.”

Some businesses remain puzzled by the choice of classical music for everyday use. The tactic, however, has raised questions about its impact on the community, particularly on those without a connection to the genre.

PSPO Plans and Unintended Effects

In recent months, the council and police have been advancing plans for a Public Space Protection Order (PSPO) to cover much of the city centre. This initiative is part of a broader effort to combat violence and antisocial behavior linked to youth groups. However, critics warn that the order could inadvertently suppress legitimate protests.

“We are reviewing the time and frequency of their use in the light of recent feedback we have received.”

Michelle Langan, who runs the Paper Cup Project, highlighted concerns about the early morning playbacks:

“Some of our customers have come in saying they were concerned that it was being played very early in the morning and they were worried it was being done to disturb rough sleepers.”

Despite these worries, the council clarified that the music is not intended to drive out homeless individuals. They emphasized its role in dispersing crowds during incidents, supporting the city centre community while maintaining safety for residents and visitors.

Merseyside Police reiterated their commitment:

“We will use all possible measures to reduce anti-social behaviour and youth-related violence because we’re determined to make our city centre safe for visitors and residents.”